Annette Schindler 安妮特•辛德勒

http://fantoche.ch/en/staff/annette-schindler

In 2012, Annette Schindler was appointed as the artistic director of Fantoche, in 2013 she became the festival director. She considers the increasing proximity between animation, gaming and media art is a promising departure point for the development of the festival. She presented high profile programming for the festival editions 2012,  2013 and 2014, renewed the programme structure of the festival and expanded it’s network with partners. In 2013 she also introduced a new business organisation which more clearly maps the festivals fields of activity and optimizes resposibilties and communication channels. 

Annette Schindler has established her reputation as director, initiator and co-founder of several institutions and festivals, most recently the House of Electronic Arts Basel(2010), the Shift Festival of Electronic Arts (2007–2010), the Digital Art Collection/Store (since 2005) [plugi.in] and Art and New Media Basel (2000–2010). Previously, she was involved with the Swiss Institute in New York (1997–2000) and theKunsthaus Glarus (1995–1997). As a member of numerous juries, committees and commissions, she became acquainted with Swiss and international filmmakers, artists and designers. In 2010, the Federal Office of Culture honoured Annette Schindler with the Swiss Art Award Prix Meret Oppenheim. In 2014 she was appointed a member of the Juries “Graduation Films” and “Off-Limits Short Films” of the Annecy festival.

安妮特·辛德勒于2012年获委任为偶人动画电影节的艺术总监,自2013年起担任该电影节主席之位。她认为动画、游戏和媒体艺术之间越发紧密的关系应该作为电影节往后发展的重心。在2012年至2014年期间,她都为电影节带来了引人瞩目的节目,革新了电影节的节目结构,并且大大拓展了合作伙伴的网路。在2013年,她更引进了一家商业机构为电影节明确规划活动范畴,优化和理清各部门的职责与沟通渠道。

安妮特·辛德勒因创办和任职于多个艺术机构与艺术节而闻名,如巴塞尔电子艺术中心(2010年),SHIFT电子艺术节(2007-2010年),数字艺术收藏(自2005),[plug.in]电子艺术中心(2000-2010年)等。安妮特·辛德勒还曾供职于纽约瑞士艺术中心(1997-2000年)和格拉如斯当代艺术中心(1995-1997年)。由于在多个评委会与委员会担任评委,她结识不少来自瑞士乃至海外的电影导演、艺术家和设计师。瑞士联邦文化部于2010年向安妮特·辛德勒授予瑞士艺术梅拉奥本海姆奖。自2014年起她担任安纳西电影节“毕业电影”和“无限短片单元”的评委。

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